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This exhibit at McHenry Library featured rose books donated by Patricia Stemler Wiley, recently retired owner of Roses of Yesterday and Today (RYT), the internationally famous Watsonville rose nursery. A portion of the exhibit illustrating the rose in garden history was displayed in the Science Library. The displays included a complete set of rose catalogs from four decades of RYT, and photographs, paintings and literary works inspired by roses. A public reception was held on January 30 at 4 p.m., when Ms. Wiley visited the McHenry Library and gave a short talk on her career and her collection. This exhibit shows off the magnificent gift of well over 100 rose books, donated by Patricia Stemler Wiley. In recognition of her leadership among rose growers, Ms. Wiley was asked to write the Foreword to the Ultimate Rose Book (1993), the "ultimate" recognition of her work as gardener, photographer, writer and book lover. The current exhibit reflects each of these talents, especially the last. Future lovers and scholars of the rose and its books will be grateful for her own bibliophilia and generosity.
Roses of Yesterday and Today: A Library Garden
Roses of Yesterday and Today: A History in Catalogs
Patricia Stemler Wiley Gift: Short Title List with Library
Locations
Roses in History and Literature
Roses in Art and Design
Manuscripts, Diaries and Albums
61 of 1161 Rose Poems from LION
61 Roses in the UCSC Slide Library
Take the Ultimate Rose Quiz!
Exhibit Acknowledgements
Photo by Paul Schraub
This exhibit featured the poetry, novels, and critical work of African-American poet, novelist, critic, editor, and UCSC professor of literature, Nathaniel Mackey. Mackey's writing is influenced by North American, African, Caribbean, and Latin American traditions. As critic Christopher Funkhouser has written, "Mackey's books are maps of a large region. In them, he transverses grounds of literal and figurative forests, fields, and sands he knows well . . . Those familiar with Mackey's work already know its particular and special place in literature of North America today. Defiant of any simple categorization, his vision is a hybrid of living ethnopoetics and musical and spiritual influences which are deeply rooted in a beleaguered but surviving African continent." Included in the exhibit are rare letterpress broadsides of Mackey's poetry, manuscripts, and a spotlight on Mackey's small press journal, Hambone.
Four for Trane. Los Angeles: Golemics, 1978. Poetry
Septet for the End of Time. Santa Cruz: Boneset, 1983. Poetry.
Eroding Witness. Urbana and Chicago: University of Illinois Press, 1985.
Poetry.
Bedouin Hornbook. Lexington: Callaloo Fiction Series, 1986. Prose. Volume
one of From a Broken Bottle Traces of Perfume Still Emanate.
Outlantish. Tucson: Chax Press, 1982. Poetry.
Discrepant Engagement: Dissonance, Cross-Culturality and Experimental
Writing. New York: Cambridge University Press, 1993.
Djobot Baghostus's Run. Los Angeles: Sun & Moon Press, 1993. Prose.
Volume two of From a Broken Bottle Traces of Perfume Still Emanate.
School of Udhra. San Franscisco: City Lights Books, 1993. Poetry.
Song of the Andoumboulou: 18-20. Santa Cruz: Moving Parts Press, 1994.
Poetry.
Whatsaid Serif. (Forthcoming) San Francisco: City Lights Books, 1998, Poetry.
Strick: Song of the Andoumboulou 16-25. Memphis: Spoken Engine Company, 1995. Poetry with musical accompaniment: Royal Hartigan, percussion; Hafez Modirzadeh, reeds and flutes.
Hambone, a literary magazine, 1 (Spring 1974), 2 (Fall 1982), 3 (Fall 1983),
4 (Fall 1984), 5 (Fall 1985), 6 (Fall 1986), 7 (Fall 1987), 8 (Fall 1989), 9
(Winter 1991), 10 (Spring 1992), 11 (Spring 1994), 12 (Fall 1995), and 13 (Spring
1997). Ongoing.
Moment's Notice: Jazz in Poetry and Prose. Minneapolis: Coffee House Press,
1993. Co-edited with Art Lange.
Guest Editor, Callaloo: A Journal of African-American and African Arts and Letters,
18, 1 (Winter 1995). Special issue on Wilson Harris.
"Ishmael Reed and the Black Aesthetic,," CLA Journal, XXI, 3 (March 1978), 355-366.
"The Changing Same: Black Music in the Poetry of Amiri Baraka," boundary 2,
VI 2 (Winter 1978), 355-386. An abridged version reprinted in Inamu Amiri Baraka
(LeRoi Jones): A Collection of Critical Essays, ed. Kimberly W. Benston (Englewood
Cliffs, N.J.: Prentice-Hall, 1978), 119-134, and in Contemporary Poets, ed.,
Harold Bloom (New York: Chelsea House, 1986), 395-409.
"The Unruly Pivot: Wilson Harris' The Eye of the Scarecrow," Texas Studies in
Literature and Language, XX 4 (Winter 1978), 32-51.
"Interview with Al Young," MELUS: The Journal of the Society for the Study of
Multi-Ethnic Literature of the United States, V. 4 (Winter 1978), 32-51.
"Robert Creely's, The Gold Diggers: Projective Prose," boundary 2, VI, 3 and
VII, 1 (Spring and Fall 1978), 469-487.
"Love Story Black" by William Demby (book review), San Francisco Review of Books,
IV, 5 (January 1979), 12.
"New Series 1 (Folk Series): Edward Brathwaite's New World Trilogy," Caliban:
A Journal of New World Thought and Writing, III, 1 (Spring- Summer 1979) 58-88.
"To Define An Ultimate Dimness: Deconstruction in Clarence Major's Poems," Black
American Literature Forum, XIII, 2 (Summer 1979), 61-68.
"Uroboros: Dante and A Seventeenth Century Suite," Robert Duncan: Scales of
the Marvelous, ed. Robert J. Bertholf and Ian W. Reid (New York: New Directions,
1979), 181-197.
"Just Above My Head by James Baldwin" (book review), The San Francisco Bay Guardian,
XIV, 5 (December 6-14, 1979) 21.
"Some Thoughts on 'Fusion'" The Threepenny Review, 1 (Winter/Spring 1980), 23-24.
"Limbo, Dislocation, Phantom Limb: Wilson Harris and the Caribbean Occasion,"
Criticism, XXII, 1 (Winter 1980), 57-76.
"Great White Hope: Jean Wagner Revisited," CLA Journal, XXII, 3 (March 1980),
245-265.
"The Tree of the Sun by Wilson Harris" (book review), Kunapipi, II, 1 (1980),
168-169.
"The World-Poem in Microcosm: Robert Duncan's 'The Continent,'" ELH, XLVII,
4 (Fall 1980), 595-618.
"Notes from an Expatriate: A Conversation with Pianist-Composer Mal Waldron"
(with Herman Gray), Jazz Spotlite News, II, 2 (Fall 1980/Winter 1981), 184-187.
"The Imagination of Justice: Wilson Harris' Ascent to Omai," World Literature
Written in English, XXII, 1 (Spring 1983), 72-87.
"On Edge," Conjunctions, 6 (Spring 1984), 296-300.
"Sun Poem by Edward Kamau Brathwaite" (book review) Sulfur, IV, 2 (Fall 1984),
200-205.
"Sound and Sentiment, Sound and Symbol," Callaloo, X, 1 (Winter 1987), 29- 54.
Reprinted in The Politics of Poetic Form: Poetry and Public Policy, ed. Charles
Bernstein (New York: Roof Books, 1990), 87-118, and in Conversant Essays: Contemporary
Poets on Poetry, ed. James McCorkle (Detroit: Wayne State University Press,
1990), 194-218. An abridged version reprinted in O One/An Anthology, ed. Leslie
Scalapino (Oakland: O Books 1988), 158-162, and in Postmodern American Poetry:
A Norton Anthology, ed. Paul Hoover (New York: Norton, 1994), 663-668.
"Beyond Predication," Quarry West, 25 (Fall 1988), 66-67.
"From Gassire's Lute: Robert Duncan's Vietnam War Poems," Talisman: A Journal
of Contemporary Poetry and Poetics, 5 (Fall 1990), 86-99.
"An Interview with Edward Kamau Brathwaite," Hambone, 9 (Winter 1991), 42-59.
Reprinted in The Art of Kamau Brathwaite, ed. Steward Brown (Bridgend, Wales:
Seren, 1995), 13-32.
"Poseidon (Dub Version)," Wilson Harris: The Uncompromising Imagination, ed.
Hena Maes-Jelinek (Mundelstrup, Denmark: Dangaroo Press, 1991), 116-126.
"From Gassire's Lute: Robert Duncan's Vietnam War Poems," Talisman: A Journal
of Contemporary Poetry and Poetics, 6 (Spring 1991), 141-166.
"From Gassire's Lute: Robert Duncan's Vietnam War Poems," Talisman: A Journal
of Contemporary Poetry and Poetics, 7 (Fall 1991), 141-166.
"Charting the Outside: An Interview with Nathaniel Mackey," conducted by Christopher
Funkhouser, Poetry Flash, 224 (November 1991), 1, 6-11, 25-26. Reprinted in
Callaloo, XVIII, 2 (Spring 1995), 321-334.
"From Gassire's Lute: Robert Duncan's Vietnam War Poems," Talisman: A Journal
of Contemporary Poetry and Poetics, 8 (Spring 1992), 189-221.
"Other: From Noun to Verb," Representations, 39 (Summer 1992), 51-70. Reprinted
in Jazz Among the Discourses, ed. Krin Gabbard (Durham: Duke University Press,
1995) 76-99.
"An Interview with Nathaniel Mackey," conducted by Edward Foster, Talisman:
A Journal of Contemporary Poetry and Poetics, 9 (Fall 1992), 48-61. Reprinted
in Postmodern Poetry: The Talisman Interviews, ed. Edward Foster (Hoboken, NJ:
Talisman House, 1994 (69-83.
"Wringing the Word, World Literature Today, LXVIII, 4 (Autumn 1994) 733- 740.
Reprinted in The Art of Kamau Brathwaite, ed. Stewart Brown (Bridgend, Wales:
Seren, 1995), 132-151.
"Cante Moro," Disembodied Poetics: Annals of the Jack Kerouac School, ed. Anne
Waldman and Andrew Schelling (Albuquerque: University of New Mexico Press, 1994),
71-94.
"An Interview with Anthony Braxton" (with Herman Gray), Mixtery: A Festschrift
for Anthony Braxton, ed. Graham Lock (Devon, England: Stride Publications, 1995),
56-69.
"Blue in Green: Black Interiority," River City, 16, 2 (Summer 1996), 116-125.
"An Interview with Nathaniel Mackey," conducted by Peter O'Leary, Chicago Review,
43, 1 (Winter 1997), 30-46.
Self-Portrait, after Frida, 1990, oil on canvas, copyright 1990 by Pilar Aguero
The history of Chicanas and Latinas is an unfolding story. For the one part, there is the official knowledge of conquest and colonization. For another, there is a more circumscribed knowledge from individual women whose memories tell us about creativity, perseverance and imagination. This exhibit focused on the many women who have been and who are currently part of the University of California at Santa Cruz. Their backgrounds are remarkably similar. Often the first to go to college. Often a first generation U.S. native. Always a deep desire for individual accomplishment nurtured by the consciousness of group membership. The information presented was found in university admissions, graduation and accounting records. The knowledge culled for this exhibit was found in the crevices of women's minds. Many of the women were sought throughout the U.S. in various fields of life. This was but an introduction to a more extensive project that entails the documentation and voices of the Chicana and Latina women who are students, faculty and academic support staff of UCSC. They are all alumnae. They are all us. In its short history, the UCSC campus has been home to some of the most remarkable women in Chicana and Latina circles. Many of the graduates went on to pursue graduate degrees at such prestigious universities as UC Berkeley, Stanford, and UC Santa Cruz. Evangelina Enriquez, class of 1968, went on to co- author, La Chicana, the most authoritative book on Chicanas and Mexicanas written in English. They were part of an intellectual cadre that has become an important part of the scholarly world. For example, Gloria Cuadraz (class of 1980), with her biographically based research on first generation scholars, tells us about the dilemmas faced by underrepresented students who pursue graduate degrees. Juana Mora (class of 1976) made a most unequivocal contribution to the social basis of alcohol dumping in minority communities which recasts our knowledge about the sources of substance abuse and its repercussion in our communities. Denise Segura (class of 1976) furthered research on Chicana occupational discrimination. Other scholars address economic conditions of Chicana farmworkers, mental health and educational outcomes. To be sure while every generation has excelled, the class of 1976 yielded some of the most important pathbreakers in contemporary society. Chicana and Latina women have much to offer the world of history. The objective of the exhibit is to demonstrate that everyone leads a life in need of documentation. Everyone makes major and minor accomplishments in life and these must form part of the global historical record. A most rewarding part of this research was reminiscing with these women and being part of the pride with which they weave their collective histories. In a most unassuming manner many speak with pride of each other's accomplishments, not giving much account to their own part in this feat. The display cases were but a glimpse into the history that some of the women who have been pioneers as students, organizers, faculty and support staff at UCSC have begun to share with us. This was not an exhaustive exhibit. Our hope is that one will be inspired to continue a legacy of a path blazed by these women, our precursors. Unlike the early years when the students relied upon each other to serve in many roles, today we have a host of faculty (13 in diverse fields such as Biology, Anthropology, Psychology). In the early years, all of the women speak to the importance of Professor Matute-Bianchi as a role model and as an advocate. Today's students continue to seek professors as advisers and role models, but they can also look to the past to see women like themselves whose hard work has been compensated with success in various aspects of their lives. As we embarked upon the 34th year of this campus it was fitting to look at the remarkable record of success from this group of otherwise underrepresented populations. Today we work upon a time in which race and gender (both important characteristics and analytical concepts exemplified by these women) are seen as negligible or inconsequential in our social world in terms of university eligibility and accomplishment. In some respects our history continues to unfold, like the history of many others. We are at point one again. Yet today we embark on university life with the clear record of a past history of success and perseverance. Chicanas and Latinas exhibit tenacity with their survival and their enduring success. The text found in these cases was derived from personal interviews, written communications, and official records. This was a project based on original research conducted by Kathryn Blackmer Reyes. The project was helped by the collaborative efforts of Irene Reti, Jacquelyn Marie, Christine Bunting, Carol Champion, Cheryl Gomez, and Martha Ramirez. Finally, without the the women--Las Mujeres-- and their willingness to reminisce there would be no story.
Where do we come from?
Who are we?
Where are we going? We put together an introduction to our library featuring
an exhibit on book production, conservation and use. Some aspects of this exhibit
included: Book Repair
Book Binding
Book Handling
Enemies of books
Disaster preparedness
Paper-making
Handmade books
Early Printing
Special Formats
Gifts from Friends of the UCSC Library An extensive bibliography of titles was
also put together for this exhibit. These titles were carefully selected by
several staff members working together to target the subjects used and covered
in the exhibit.
Items Displayed in Exhibit Cases
How Books are Beautified:
Lepelletier, Edmond Adolphe de Bouhelier
Paul Verlaine
Paris, Societe du Mercure de France, 1907
PQ2464L4 McHenry Library
Leconte de Lisle
Oeuvres
Paris, A. Lemerre, 1881-1899
PQ2332A1 v.1 McHenry Library
Home, Gordon
Normandy: the Scenery and Romance of its Ancient Towns
London, J.M. dent & Co., 1905
New York, E.P. Duton & Co., 1905
DC611N848H7 McHenry Library
Rebello da Silva, Luiz Augusto
Memoria Sobre la Vida Politica y Literaria de D. Francisco Martinez de la Rosa
Lisboa, Real Academia de Ciencias, 1863
PQ6537Z5R4 McHenry Library American Art Union Transactions
New York: American Art Union, 1839-1850
N11A3 1847 McHenry Library
Wheatley, Henry Benjamin
Bibliographer: a Journal of Book Lore
London: E. Stock; New York: J.W. Bouton, 1882-1884
Z1007B54 v.1 McHenry Library
Beresford, James
The Miseries of Human Life
London: W. Bulmar & Co., 1806
PN6173B4 1806 McHenry Library
Skelding, Susie Barstow
Flowers from Hill and Dale
New York: White, Stokes and Allen, 1883
PN6110F6S66 McHenry Library
Yeats, William Butler
Poems
London: T.F. Unwin, 1912
PR5900A3 1912b McHenry Library
Le Conte, Sebastien Charles
Les Bijoux de Marguierite
Paris: Alphonse Lemerre, 1934
PQ2330L97B5 1934 McHenry Library
Moult, Thomas
The Best Poems of 1922
New York: Harcourt, Brace & Co., 1923
PR1225M65 1922 McHenry Library
Dario, Ruben
Canto a la Argentina y Otros Poemas Ruben Dario
Madrid: Biblioteca Corona, 1914
PQ7519D3C24 1914 McHenry Library
Asensio, Jose Maria
Cervantes Y sus obras
Barcelons: F. Seix, 1902
PQ6337A7 McHenry Library
Perez Galdos, Benito
Obras Completas
Madrid: Aguilar, 1951-1962
PQ6555A1 1951 v.6 McHenry Library
Buendia, Felicidad
Libros de caballerias espanoles: El caballero Cifar, Amadis de Gaula, tirante
el blanco
Madrid: Aguilar, 1954
PQ6174A3B3 McHenry Library
Molina, Tirso de
Obras dramaticas completas [de] Tirso de Molina
Madrid: Aguilar, 1946-1958
PQ6434A2 v.1 McHenry Library
Calderon de la Barca, Pedro
Obras completas
Madrid: Aguilar, 1952-1960
PQ6218A1 1952 v.1 McHenry Library
Benavente, Jacinto
Obras Completas
Madrid: Aguilar, 1956
PQ6603E6A1 1956 v.4 McHenry Library
Unamuno, Miguel de
Ensayos
Madrid: Aguilar, 1951
PQ6639N3A16 1951 v.1 McHenry Library
Ors, Eugenio d'
El Nuevo Glosario
Madrid: Aguilar, 1947
PQ6627R7N8 v.1 McHenry Library
Aesop
The Herford Aesop; Fifty Fables in Verse by Oliver Herford
Boston: Ginn [1921]
PA 3855.E5H4 McHenry Library--Locked Case
Alighieri, Dante
La Divina Commedia
Firenze: F. Le Monnier, 1927
PA4229.L8I8 1936 McHenry Library--Locked Case
Ando, Hiroshige
Tokaido in Prints and Poetry
Rutland, Vt., C.E. Tuttle Co. [1965]
NE1325A5C5 McHenry Library--Locked Case
Azorin
La Ruta De Don Quixote
Mexico, Aquilar, S.A., 1951
PQ6352M3 1951 McHenry Library--Locked Case
Caro, Annibal
Gli Amori Pastorali di Daphne e Cloe
Milano: Rizzoli, 1936
PA4229L8I8 1936 McHenry Library--Locked Case
Etherington, Don and Matt T
Gedachtnes-Uebengen zur Nahrung fur Verstand and Herz fur Kinder Von Sechs
Bis Neun Jahren Neustadt an der Orla, J.K.G. Wagner, 1825
Z266.7R62 1982.
Also available online at: http://palimpsest.stanford.edu/don/don.html
Hajek, Lubor
Harunobu
London: Spring Books, [1958?]
NE1325.S85H3413 McHenry Library--Protected Collection
Ikegami, Kojiro
Japanese Bookbinding
New York: Westherhill, 1986. [1979]
Z 207J3I3713 1986
Justi, Ludwig, b. 1876
Die italienische Malerei des XV. Jahrhunderts
Berlin, Fischer & Franke [1909-10]
ND615J873 1909 McHenry Library--Protected Collection
Katsushika, Kokusai
Hokusaie's Views of Mt. Fuji
Rutland, Vt., C.E. Tuttle Co. [1965]
NE1325K3A45 McHenry--Library Locked Case
Middleton, Bernard C
The Restoration of Leather Bindings
Chicago: American Library Association, 1984 [1072]
Z673A526 no.20
Oller, Narcis
La Mariposa
Barcelona, Arte y Letras, 1886
PC3941O4M3 McHenry Library--Locked Case
Pope, Alexander
The Poetical Works of Alexander Pope
Edinburgh, Gall & Inglis [1870]
PR3620 1870 McHenry Library--Locked Case
Read, Thomas Buchanan
Drifting
Philadelphia [etc.] J.B. Lippincott & Co., 1881
PS2684D7 1881 McHenry Library--Locked Case
Sesshu
Long Scroll: A Zen Landscape
Tokyo, Rutland, Vt., C.E. Tuttle c1959
ND1059S5A5 McHenry Library--Locked Case
Abbott, Edwin Abbott
Flatland: a Romance of Many Dimensions
San Francisco: Arion Press, 1980
Z239.A75 1980 McHenry Library--Special Collections
Alarcon, Francisco X.
De Amor Oscuro = Of Dark Love
Santa Cruz, Calif.: Moving Parts Press, c1991
Z239M68 1991b Santa Cruz McHenry Library--Special Collections
Ashbery, John
Self-portrait in a Convex Mirror
San Francisco: Arion Press, 1984
Z239A75 1984d McHenry Library--Special Collections
Chaucer, Geoffrey
The works of Geoffrey Chaucer now newly imprinted
London: Basilisk Press, 1975
PR1850.1896a Oversize McHenry Library--Special Collections
Frigge, Karli
Marbled Landscapes
Buren: F. Knuf, 1988
Z239Z99 1988 McHenry Library--Special Collections
Gomez-Pena, Guillermo
Codex Espangliensis: from Columbus to the Border Patrol.
Santa Cruz, Calif Moving Parts Press, 1998
Z239M68 1998 Santa Cruz McHenry Library--Special Collections
Haggadah
English & Hebrew
Hagadah shel Pesah
Paris: Trianon Press, [1966]
BM675P4A3 1966 Trianon McHenry Library--Special Collections
McMurtrie, Douglas C
The Book; the story of printing and bookmaking
New York, London, Oxford University Press, 1943
Z4M15 1943 McHenry Library
Olmert, Michael.
The Smithsonian Book of Books. 1st ed.
Washington, D.C.: Smithsonian Books, 1992
Z4O54 1992 McHenry Library
Women and Cars/ [compiled by] Susan E. King
Women's Studio Workshop
Los Angeles, Calif.: Paradise Press, 1983
Z239P36 1983 McHenry Library--Special Collections
[Six miniature books on papermaking in various countries]
Kasama, Japan: Cannabis Press, [1982]
Video Recording:
Into the future: on the preservation of knowledge in the electronic age/ a production
of American Film Foundation, Sanders & Mock Productions in association with
Commission on Preservation & Access and American Council
[S.1.]: Commision on Preservation & Access;
[Santa Monica, CA: Distributed by American Film Foundation], c1997
VT5406
Schleicher, Patty & Mimi
Experience and Magic of marbling.
Marbling Secrets and Recipes Asheville, North Carolina: Ironwood Productions
(Video demonstration of marbling),
1994. McHenry Library Related Subject Bibliography
Paper Marbling Books
Akers, R.C.
Marbling
Dryad Leaflet, Dryad Press, Leicester, 1st ed., 1976
Berry, Galen
Learn the Art of Marbling
Oklahoma City, Oklahoma: self-published, 1991
Bolton, Claire
The Compton Marbling Pattern book
Winchester 1986
Bolton, Claire with Davies, Katherine
Payhembury Marbled Papers
Winchester 1987
Bolton, Claire
Maziarczyk Paste Papers. 1991
Oxford
Bolton, Claire
Compton Marbling Portfolio of Patterns
Oxford 1992
Chambers, Anne
The Practical Guide to Marbling Papers
London: Thames & Hudson, 1986
Chambers, Anne
The Principal Antique Patterns of Marbled Papers
Burford, Oxfodshire: the Cygnet Press, 1984
Chambers, Anne
Suminagaxhi: The Japanese Art of Marbling
London: Thames & Hudson, 1991
Cockerell, D
Marbling Paper
Russell Bookcraft, Hitchin, Herts; Printed by Helfers Printers Ltd, Cambridge
Cockerell, Sydney
Marbling Paper: Bookbinding as a School Subject. 3rd Ed.
Hitchin, England: G.W. Russel & Son, n.d.
Cohen, Daniel & Paula
Marbling on Fabric
Loveland, Colorado: Interweave Press, 1990 Doizy, Marie Ange and Ipert, Stephane
Papier Marbre: son Histoire et sa Fabrication
Editions Technorama, 1985
Easton, Phoebe Jane
Marbling: A History and a Bibliography
Los Angeles: Dawson's Book Shop, 1983
Fox, Polly
Marbling on Fabric
Taos, New Mexico: Fresh Ink Press, 1990
Frigge, K. Marmeren
Op Papier
Cantecleer by, de Bilt, 1982
Gruebaum, Gabriele
How to Marblize Paper
New York: Dover Publications, 1984
Guyot, Don
Suminagashi. An Introduction to Japanese Marbling
Seattle: The Brass Galley Press, 1988 Halfer, Josef The Progress of the Marling
Art Buffalo, New York: Louis Kinder, 1883 (Facsimile edition, Fresh Ink Press
Taos, New Mexico, 1989)
Haemmerle, Albert
Buntpapier Herkommen Geschichte Techniken Beziehungen zur Kunst
Munchen: Verlag georg D. W. Callwey, 1961
Heijbroek, J. F. and T. C. Greven
Sierpapier, Marmer-, Brocaat- en Sitspapier in Nederland
Amsterdam, De Buitenkant, 1994
Kantrowitz, Morris
The Process of Marling Paper
Washington: GPO-PIA Joint Research Bulletin,
Bindery Series No. 1, 1948
Loring, Rosamond
Decorated Book Papers: Being An Account of their Design and Fashions
Cambridge: Harvard Collage, 1942
Mauer, Diane Philippoff and Paul Maurer
An Introduction to Carrageen and Watercolor Marbling
Centre Hall, Pennsylvania: Self-published, 1984
Mauer, Diane Vogel with Paul Maurer Marbling: A Complete Guide To Creating Beautiful
Patterned Papers and Fabrics
New York: Crescent Books, 1991
Maurer-Mathison, Dian
Decorative Paper
New York: BDD Illustrated Books, 1993
McKay, B (Ed.)
Marbling - Methods and Receipts from Four Centuries
with other Instructions useful to Bookbinders
Plough Press Oxford and Oak Knoll Books Delaware, 1990
Medeiros, Wendy Addison
Marbling Techniques
New York: Watson-Guptill Publications, 1994
Miura, Einen
The Art of Marbled Paper: Marbled Patterns and How To Make Them
New York: Kadansha International, 1990
Nevins, Iris
Fabric Marbling
Sussex, New Jersey: Self-published, 1989
Nevins, Iris
Traditional Marbling. 2nd ed.
Sussex, New Jersey: Self-published, 1988
Nevins, Iris
105 Helpful Hints for the Marbler
Sussex, New Jersey: Self-published, 1990
Nevins, Iris
Varieties of Spanish Marbling. 1991, 1993
Bird & Bull; current editions Nevins, Johnsonburg, NJ
Quilici, Piccarda
Carte Decorate nella Legatoria del '700 dalle Raccolte della biblioteca Casanatense
Roma: Istituto Poligrafico e Zecca dello Stato, 1989
Norma Rubovits
Marbled Vignettes
Dawson's Book Shop, Los Angeles. 1992
Schleicher, Patty
Oil Color Marbling
Weaverville, North Carolina self-publised, 1984
Sonmez, Nedim and Jacle-Sonmez, Yvonne
Ebru Turkish Marbled Paper
Tubingen: verlag Jacle-Sonmez, 1987
Sumner, James
The Mysterious Marble
North Hills, PA: Bird & bull Press, 1976
[first published 1854, reprinted 1976 with additional contents]
Taylor, Carol with Patty Schleicher, Mimi Schleicher, and Laura Sims
Marbling Paper & Fabric
New York: Sterling, 1991
Weiman, Christopher
Marbling in Miniature Los Angeles: Dawson's Book Shop, 1980
Weimann, Ingrid and Nedim Sonmez
Christopher Weiman: (1946-1988) a Tribute
Tubingen, Germany: Jackle-Sonmez, 1991
Wolfe, Richard J.
Marbled Paper its History, Techniques, and Patterns
Philadelphia: University of Pensylvania Press, 1990
Woolnough, C.W.
The Art of Marbling and Applied to Book Edges and Paper
London: Alexander Heylin, 1853
Woolnough, Charles
The Whole Art of Marbling. 3rd ed.
London: George Bell & Sons, 1881
Yagi, Tokutaro
Suminagashi-zome The Heyeck Press, Woodside, California
Bookbinding:
Banister, Manly Miles, 1914-
Bookbinding as a Handcraft
New York: Sterling Pub. Co., c1975
Barrett, John Paul, 1942-
How to Make a Book: an Illustrated Guide to Making Books by Hand. 1st ed.
Astoria, Or.: Gaff Press, c1993
Blake, Kathy
Handmade Books: a Step-By-Step Guide to Crafting Your Own Books
Boston, Mass.: Bulfinch Press book, 1997
Burdett, Eric
The Craft of Bookbinding: a Practical Handbook
Newton Abbot: David and Charles, 1975
Cockerell, Douglas
Bookbinding, and the Care of Books:
a Handbook for Amateurs, Bookbinders & Librarians
Lyons & Burford, [1991]
Originally published: New York: Appleton, 1902
Diehl, Edith Bookbinding, its Background and Technique
New York: Dover Publications, 1980.
Originally published by Rinehart & Company, Inc., [New York} in 1946.
Greenfield, Jane
Headbands: How to Work Them. 2nd rv. Ed.
New Castle, Del.: Oak Knoll Books, 1990
Hammack, Rita
Anyone Can Make a Book: an Illustrated Guide for Making and Repairing Books
Portland, OR.: R. Hammack, c1995
Ikegami, Kojiro, 1908-
Japanese Bookbinding: Instructions From a Master Craftsman
Adapted by Barbara b. Stephan
New York: Weatherhill, 1986
Johnson, Arthur W. The Thames and Hudson Manual of Bookbinding
London: Thames &Hudson, 1978
Johnson, Arjthur W.
The Practical Guide to Craft Bookbinding
London: Thames and Hudson, c1985
Johnson, Pauline, 1905-
Creative Bookbinding
New York: Dover, 1990. Reprint
Originally published: Seattle: University of Washington Press, 1964, c1963
LaPlantz, Shereen, 1947-
Cover to Cover: Creative Techniques for Making Beautiful Books, Journals & Albums
Ashville, N.C.: Lark Books, 1995
Lewis, Arthur William
Basic Bookbinding
New York, Dover Publications [c1957]
Middleton, Bernard C., 1924-
The Restoration of Leather Bindings
Chicago [American Library Association, 1972]
Middleton, Bernard C., 1924-
A History of English Craft Bookbinding Technique
New Castle, Del.: Oak Knoll Press, 1996
Miura, Kerstin Tini
My World of Bibliophile Binding
Berkeley: University of California Press, c1984
Roberts, Matt, 1929-
Bookbinding and the Conservation of Books: a Dictionary of Descriptive
Terminology Washington: Library of Congress:
For sale by Supt. Of Docs., U.S. G.P.O., 1982
Robinson, Ivor
Introducing Bookbinding
London, Batsford; New York, Watson-Guptill Pub., 1968
Smith, Keith A., 1938-
Non-adhesive Binding
Rochester, N.Y.: Keith Smith Books, 1993-1995
Smith, Philip, 1928
New Directions in Bookbinding
New York] Van Nostrand Reinhold [1974]
Town, Laurence
Bookbinding by Hand
London, Faber & Faber, 1951
Watson, Aldren Auld, 1917-
Hand Bookbinging, a Manual of Instruction
New York: Dover Publications, 1996
Webberley, Marilyn
Books, Boxes & Wraps: Binding & Building Step-By-Step
Kirkland, WA: Bifocal Pub., 1995
Young, Laura S.
Bookbinding & Conservation by Hand: a Working Guide New Castle, Del.: Oak Knoll
Press, 1995
Zeier, Fronz
Books, Boxes, and Portfolios:
Binding, Construction, and Design Step-By-Step
New York, NY: Design Press, 1990
This Exhibit was set up to increase awareness and instill pride
in our libraries' collections. We hope gained:
An awareness of the variety of material available to you.
An idea of what the people who work here do.
Knowledge of specialized collections.
An appreciation for the value of books throughout time.
A sense of the number of people who use the library.
An understanding of the usefulness of the library to you.
An interest in the newest uses of technology in the library
An understanding that supporting the library is important.
The desire to care for and preserve material from the collection
Enthusiasm for programs put on at the library.
The University Library's collections are a critical campus resource. With over one and a quarter million items this is the largest library in the Monterey Bay Area. The first UCSC Library was opened in 1965 and located at Hahn Student Services with only 80,000 items. Following are current numbers of a few of our collections:
1,233,773 volumes
100 public computers
10,000 items sent to storage each year due to space limitations
41 public CRUZCAT terminals
Both University library staff and patrons play a role in preserving and developing
the Library's collections. The Library team includes:
154 staff employees
23 UCSC Alumni
350 student employees
30 Librarians
When material is carefully preserved and protected in the library then its continued
availability can be assured. There were:
40,000 items added in 1997
313,374 items checked out in 1997
8,000 items donated last year
Over 11,000 items bound last year .
